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Raymond Edward "Ray" Johnson (October 16, 1927 – January 13, 1995), known primarily as a collagist and correspondence artist, was a seminal figure in the history of Neo-Dada and early Pop art.〔(ArtPool - Ray Johnson by Klára Kiss-Pál, 1997 )〕〔(Ray Johnson, 67, Pop Artist Known for His Work in Collage, By CAROL VOGEL, NY Times, Published: January 19, 1995 )〕 Once called "New York's most famous unknown artist",〔〔Glueck, Grace. "What Happened? Nothing", New York Times, Sunday, April 11, 1965〕 Johnson also staged and participated in early performance art events as the founder of a far-ranging mail art network – the New York Correspondence School –〔〔〔 which picked up momentum in the 1960s and is still active today. He is occasionally associated with members of the Fluxus movement but was never a member. He lived in New York City from 1949 to 1968, when he moved to a small town in Long island and remained there until his suicide.〔(Mark. "An Illustrated Introduction to Ray Johnson 1927-1995." http://www.panmodern.com/Ray.html. 1995. )〕 ==Early years and education== Born in Detroit, Michigan, on October 16, 1927,〔〔 Ray Johnson grew up in a working-class neighborhood and attended an occupational high school where he was enrolled in the advertising art program. He took weekly classes at the Detroit Art Institute and spent a summer drawing at Ox-Bow School in Saugatuck, Michigan, affiliated with the Art Institute of Chicago. Johnson left Detroit after high school in the summer of 1945 to attend the progressive Black Mountain College in North Carolina,〔〔(Whitford Fine Art - Ray Johnson )〕 where he stayed for the next three years (spending the spring 1946 semester at the Art Students League in New York but returning the following summer). Josef Albers, before and after his notable sabbatical in Mexico, was in residence at Black Mountain College for six of the ten semesters that Johnson studied there. Anni Albers, Walter Gropius, Lyonel Feininger, Robert Motherwell, Ossip Zadkine, Paul Rand, Alvin Lustig, Ilya Bolotowski, Jacob Lawrence, Beaumont Newhall, M.C. Richards, and Jean Varda also taught at BMC during Johnson's time there. Johnson decided on Albers' advice to stay at BMC for a final term in summer 1948, when the visiting faculty included John Cage, Merce Cunningham, Willem de Kooning, Buckminster Fuller, and Richard Lippold.〔 Johnson took part in "The Ruse of Medusa" – the culmination of Cunningham's Satie Festival - with Cage, Cunningham, Fuller, Willem and Elaine de Kooning, Lippold, Ruth Asawa, Arthur Penn, and others among the cast and crew. "Because of those who participated, the event has taken on the reputation of a watershed event in 'mixed media'…" wrote Martin Duberman in his history of BMC.〔Duberman, Martin. Black Mountain – An Experiment in Community, Evanston, IL: Northwestern University Press, 1972 (reprinted)〕 In the documentary How To Draw A Bunny, Richard Lippold delicately but candidly confesses to carrying on a love affair with Johnson for many years which began at Black Mountain College. "I risk to say, (at Black Mountain College ) 'anything went'—between the students and the faculty...As I said to my wife the other day, 'I think I'm a good old man now, but I was a very bad boy.'... She agreed. We had a little house, my family and me, and he would arrive every morning with a little bouquet of wild flowers, and singing. Eventually our relationship became very intimate, so I brought him back to New York...and obviously, we didn't live together, steadily, because I had my family. We were quite close together until 1974, so that's a long period of time. From '48 to '74, twenty some years. Because it was a very intimate relationship, a loving relationship. And it would be very hard for me to separate him as a person from his work. I don't think I could do that." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ray Johnson」の詳細全文を読む スポンサード リンク
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